This qualitative study investigated into the complex dynamics of African nation monikers and their profound implications for national identity and international branding. The purpose of the research was to examine the interplay between linguistic inventiveness and artistic representation in 54 African nations, exploring how these components contributed to shaping global perceptions. Adopting a content analysis approach, the study systematically investigated linguistic nuances and artistic depictions associated with each nation's moniker. The population comprised the 54 diverse African nations, ensuring a purposive and representative sampling approach that considered linguistic, cultural, and geographical variations. Data was sourced from official documents, historical records, and public discourse surrounding each nation's moniker, with a focus on linguistic analysis from official statements, literature, and media representations. Artistic representations were examined through visual sources such as national emblems, flags, and associated symbols. The findings revealed a complex tapestry of linguistic features firmly anchored in cultural and historical contexts. Artistic depictions, including visual metaphors and symbols, contributed significantly to each nation's unique character. Notable examples included Nigeria's "The Giant of Africa" and South Africa's "The Rainbow Nation." Recommendations emphasized the strategic use of linguistic and artistic components to enhance international image, recognizing their critical role in shaping global perceptions of African nations. The study also acknowledged its limitations and proposed directions for future research, offering valuable insights into the nuanced dynamics of language and creative expression in constructing national identity on the global stage.
Published in | Communication and Linguistics Studies (Volume 10, Issue 3) |
DOI | 10.11648/j.cls.20241003.11 |
Page(s) | 53-62 |
Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
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Copyright © The Author(s), 2024. Published by Science Publishing Group |
Representation, African Country Monikers, National Identity
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APA Style
Kalokola, N. M., Nnko, E. D. (2024). Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers. Communication and Linguistics Studies, 10(3), 53-62. https://doi.org/10.11648/j.cls.20241003.11
ACS Style
Kalokola, N. M.; Nnko, E. D. Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers. Commun. Linguist. Stud. 2024, 10(3), 53-62. doi: 10.11648/j.cls.20241003.11
AMA Style
Kalokola NM, Nnko ED. Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers. Commun Linguist Stud. 2024;10(3):53-62. doi: 10.11648/j.cls.20241003.11
@article{10.11648/j.cls.20241003.11, author = {Nasibu Musa Kalokola and Elirehema Daniel Nnko}, title = {Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers }, journal = {Communication and Linguistics Studies}, volume = {10}, number = {3}, pages = {53-62}, doi = {10.11648/j.cls.20241003.11}, url = {https://doi.org/10.11648/j.cls.20241003.11}, eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.cls.20241003.11}, abstract = {This qualitative study investigated into the complex dynamics of African nation monikers and their profound implications for national identity and international branding. The purpose of the research was to examine the interplay between linguistic inventiveness and artistic representation in 54 African nations, exploring how these components contributed to shaping global perceptions. Adopting a content analysis approach, the study systematically investigated linguistic nuances and artistic depictions associated with each nation's moniker. The population comprised the 54 diverse African nations, ensuring a purposive and representative sampling approach that considered linguistic, cultural, and geographical variations. Data was sourced from official documents, historical records, and public discourse surrounding each nation's moniker, with a focus on linguistic analysis from official statements, literature, and media representations. Artistic representations were examined through visual sources such as national emblems, flags, and associated symbols. The findings revealed a complex tapestry of linguistic features firmly anchored in cultural and historical contexts. Artistic depictions, including visual metaphors and symbols, contributed significantly to each nation's unique character. Notable examples included Nigeria's "The Giant of Africa" and South Africa's "The Rainbow Nation." Recommendations emphasized the strategic use of linguistic and artistic components to enhance international image, recognizing their critical role in shaping global perceptions of African nations. The study also acknowledged its limitations and proposed directions for future research, offering valuable insights into the nuanced dynamics of language and creative expression in constructing national identity on the global stage. }, year = {2024} }
TY - JOUR T1 - Constructing Global Identity Through Creative Linguistic and Artistic Branding of African Countries’ Monikers AU - Nasibu Musa Kalokola AU - Elirehema Daniel Nnko Y1 - 2024/08/15 PY - 2024 N1 - https://doi.org/10.11648/j.cls.20241003.11 DO - 10.11648/j.cls.20241003.11 T2 - Communication and Linguistics Studies JF - Communication and Linguistics Studies JO - Communication and Linguistics Studies SP - 53 EP - 62 PB - Science Publishing Group SN - 2380-2529 UR - https://doi.org/10.11648/j.cls.20241003.11 AB - This qualitative study investigated into the complex dynamics of African nation monikers and their profound implications for national identity and international branding. The purpose of the research was to examine the interplay between linguistic inventiveness and artistic representation in 54 African nations, exploring how these components contributed to shaping global perceptions. Adopting a content analysis approach, the study systematically investigated linguistic nuances and artistic depictions associated with each nation's moniker. The population comprised the 54 diverse African nations, ensuring a purposive and representative sampling approach that considered linguistic, cultural, and geographical variations. Data was sourced from official documents, historical records, and public discourse surrounding each nation's moniker, with a focus on linguistic analysis from official statements, literature, and media representations. Artistic representations were examined through visual sources such as national emblems, flags, and associated symbols. The findings revealed a complex tapestry of linguistic features firmly anchored in cultural and historical contexts. Artistic depictions, including visual metaphors and symbols, contributed significantly to each nation's unique character. Notable examples included Nigeria's "The Giant of Africa" and South Africa's "The Rainbow Nation." Recommendations emphasized the strategic use of linguistic and artistic components to enhance international image, recognizing their critical role in shaping global perceptions of African nations. The study also acknowledged its limitations and proposed directions for future research, offering valuable insights into the nuanced dynamics of language and creative expression in constructing national identity on the global stage. VL - 10 IS - 3 ER -